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>> No.4526236 [View]
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>>4526231
so basically what he's saying is snoopy

>> No.2658190 [View]
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>>2658187

>> No.2625984 [View]
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>>2625818

>> No.2625533 [View]
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>>2625523

>> No.2618714 [View]
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>> No.2613787 [View]
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>>2613649
The torso is to small
The legs are too long
Megaman feet
The foreshortening in that left arm ate his sleeves
tl;dr: Learn to draw, then ask for things to improve.

>> No.2608760 [View]
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>>2608756

>> No.2605742 [View]
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>>2605703

>> No.2596798 [View]
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>>2596752

>> No.2588325 [View]
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>>2588321

>> No.2572473 [View]
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>>2572468
> rutracker.online/torrent-1649526.html

>> No.2558718 [View]
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>>2558561

>> No.2552067 [View]
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>>2551988
>>For figure drawing, you could continue with Vilppu, Loomis and Hampton. Choosing between these is a matter of personal preference, but for best results, study them all, starting with the one that appeals to you the most.

> Vilppu is best known for his video lectures, but you could also go through his book The Vilppu Drawing Manual.

>As for Loomis, after Fun with a Pencil, go to Figure Drawing for All It's Worth and Drawing the Head and Hands.

>Then there is Figure Drawing: Design and Invention by Michael Hampton.

>Focus on getting proportions right. All your artworks and studies should start with a solid construction base. Practicing gestures will keep your figures fluent and lively, whilst studying anatomy will make them look somewhat human.

>Construction is useful for any subject. When studying from life or reference, you break the subject down into simple shapes. When drawing from imagination, you reverse this thinking process: you start with a basic structure to construct the whole.

>> No.2550147 [View]
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>>2550111

>> No.2544146 [View]
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>>2544121

>> No.2533853 [View]
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>>2533846

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