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>> No.4245934 [View]
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4245934

Basically, can we boil down, seriatim, what did he (and Loomis in his explanation) tried to say to us. Also they are not the first artists to mention the ultimate impotance of proper handling of halftones (Sargent, for example), and there is barely any info on that. What I undestood:

1) Texture is a part of the light halftone
2) Color vibrance is a part of the light halftone
3) Picture halftones in light lighther, then they appear to be.
4) Picture halftones in shadows darker, then they appear to be.

Something else? I'm interested in how you interpret this and maybe how you it clicked with you when you were practising.

Sorry for my spelling.

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