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/ic/ - Artwork/Critique

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>> No.6525546 [View]
File: 39 KB, 500x500, 1603687783605.jpg [View same] [iqdb] [saucenao] [google]
6525546

>>6525158
>>6525168
>>6525170
This is your problem, you are trying to pitch up to Marvel, people who have insanely high technical art standards for entry even though their actual releases are mediocre or down right bad most of the time. I'd suggest you not to aim at the big 5 companies (you know which ones if you are already trying shit with Marvel).
As for the actual art, you gotta go back to the Framed Ink series I'm afraid, your storytelling panels are not quite up there yet. I mean, page 2, Jean has a gift in her right hand, 3/4 plane, and from there we just cut to the alien crash explosion reaction from a whole another perspective. It's fairly annoying because your first 5 panels along with the building shot are well put, the camera shifts naturally for the most part, but between those two last panels, there is a cut in time that is jarring for the reader.
Last page is weird, at face value the spread looks as if Cyclops and Jean aren't putting their attention to the aliens but to the masses, and Cyclops looks like he is lasering them, even though it becomes clear that's not the case because they are enclosed in a different panel, but it doesn't work because they are jumping outside of said panel. This is a compositional mistake, it looks cool for sure but it doesn't serve the storytelling. Either place them in the same spread panel as the public or make a whole new page where they appear representing that vertical panel.
Last thing, your style looks formulaic, you are using the same tools and techniques some of the best inkers use back in Marvel and DC, but you just don't have the skill or experience they have and it shows. Your inking is slippery, your architectural lines are too amateurish and that Chrysler man, that Chrysler simply doesn't cut it, it lacks too many details and the freaking windows are not even, they are just random erasing strokes you did. And the background trees and buildings? They look just like blobs and boxes with lines and dots.

>> No.2861321 [View]
File: 39 KB, 500x500, 1464037183528.jpg [View same] [iqdb] [saucenao] [google]
2861321

>>2861317
Let go
You think an abyss is below
but really a feather bed waits to catch you

>> No.2564166 [View]
File: 40 KB, 500x500, let go.jpg [View same] [iqdb] [saucenao] [google]
2564166

>>2563199
I used to get demotivated by supposed extremely young artists until I remembered how easy it is to lie about your age on the internet. Seriously, everyone who is jealous of these people needs to give that a thought.

Even if they are actually that age once they hit 18 all that attention they get will vanish in an instant, leaving them in devastation as they no longer have tons of people stroking their ego on a daily basis.

>> No.2533458 [View]
File: 40 KB, 500x500, toon-link-let-go-eightmelodies.jpg [View same] [iqdb] [saucenao] [google]
2533458

>meet efamous artist in rl
>after befriending her I found out she's the biggest, snobbiest cunt alive
> Bitches about her fans and other artists
> Mocked me and others for studying art, probably because she's salty she got rejected for art school
> Had to endure her constant call for whiteknights at the slightest sight of constructive critism
>Constantly whines about how women are opressed in the art industry while the most professional thing she has done is leech instagram for money.
>Done with this shit, break contact
> I can't help myself but to stay salty whenever I see her art

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