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>> No.6910710 [View]
File: 453 KB, 612x1084, redline.jpg [View same] [iqdb] [saucenao] [google]
6910710

>>6910225
Hope you don't mind, I jumped in to offer some help.

This is a bit of a difficult perspective, you did pretty well with the hands. I struggled even with reference to get something I was happy with lol. I tried to include some diagrams of basic shapes you can start to think of when drawing. Attempt to construct the hands with these shapes in mind and it'll be a lot easier to capture the angles you're looking for.

For the sleeve, I wasn't entirely sure if you are trying to go for a baggy sleeve look, or like a monk's robe because you've got two types of sleeves going on in your picture. So I just did both. When you have things that are baggy, they tend to bunch up in places where there are "pinches" such as at the elbow or where they are getting tucked in, like at the belt and calves. Fabric has weight to it and depending on the type of fabric, they either have lots of folds or few. Thick fabric tends to have very few, heavy holds. Thin fabric has a lot more. Reference is the only way you will be able to learn how to draw the difference, so look up pictures and draw them to get a sense of how these different types of clothing work.

Less is more when drawing folds and fabrics, too much and it'll start to look like a jumbled mess of fabric and become too busy. If you want the focus of your drawing to be the fabric, go wild, but too much can be distracting (I learned this from Vilppu).

Hope this is of some help to you.

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