/ic/ - Artwork/Critique

Decided to just do a copying pass and then I’ll do a memory/redrawing pass after, rather than doing a copy then memory version and then copy again before moving on to the next drawing. I think maybe the lag time between the copy and the memory drawing might be an import part in aiding retention, but i’m not sure. I also might do extra memory drawings of plates I find especially useful/important/appealing. I’m able to go faster now since just copying and analysis is much less taxing than the repeated memory drawings I was doing. So that’s fun.
>>7047704
>>7047711
You’ve gotta train observation like what Betty Edwards, keys to drawing, Proko, Eviston, krenz, etc. talk about. I liked the way Betty Edwards explained it in her book, really made it click for me. Then you can do studies and copy cool art and learn figure drawing and move on to doing this kind of construction stuff. You’re not feeling the form.

Train observation first so that you can draw what you see and not what you think you see. Then study construction and form. For me, it was Betty Edwards and then the first couple lessons of DrawABox and then Vilppu.
>>7047129
I recommend the same to you
>>7047064
Sick brah
>>7046928
That’s fucking metal
>>7046936
Not bad for imagination drawings. Make sure to do memory studies as well as copies. This makes the studies sink in deeper and become “yours” much faster.
>>7046810
>>7046812
Amazing!
>>7046769
Based, keep it up
>>7046369
>>7046345
Yo, these are awesome
>>7046370
Bridgman should only be done after you already have a decent understanding of anatomy, imo. Morpho simplified forms is great though
>>7046460
Looks good, a bit asymmetrical