/ic/ - Artwork/Critique

>>4572766
>>4572779

here some problem I noted. please note i don't pretend to be super good, but I think that can help you.

0) please fix your chicken scratching (yes my red lines are not super clean either). have some confidence in line.

1) if the pillar is extruded from the wall at the bottom, it should be the same at the top. this kind of detail really add a lot to sell the space when they are consistent.

2) your character should be positioned on the perspective plane. use the Michaelis rhombus to help orient the ass and spine and give spatial indication.use the hair to reinforce the gesture. use highlight to reinforce form. please think of where left arm and leg connect. the foot can give ton of information on the orientation of the leg, even if you can't see the leg.

3) as other have said your vanishing points are close, which means that you will have ungraceful distortion. it's good practice to put them outside of your drawing. the further away, the less you will have to think about the distortion. every object should be constructed following your perspective. the pot of the bottom is in the distorted zone and almost need the introduction of a third vanishing point to be correctly constructed. the real question is why did you put a pot on the foreground at the center of the picture. there probably a better composition.

4) keep in mind the orientation of head and face, and build your body proportionally to your head. the spine, scapula and Michaelis rhombus all help you build and orient the back. for the belts, in doubt, choose a simple approach that reinforce the shape. again visual clue add up and really sell the space for you. also your back is a bit short and your arms a bit too fat. for the sword, don't complicate your life with a weird perspective, put the sword on the other side and clarify the situation (sword are generally on the non dominant side anyway).

hope that was of some help.