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57793053 No.57793053 [Reply] [Original] [archived.moe] [rbt]

Do you have an excuse for not using the best daw ever made? pic related.

>> No.57793076
File: 141 KB, 803x688, memed.jpg [View same] [iqdb] [saucenao] [google] [report]


>> No.57793080

I use software that's at least worth the intellectual property it is

>> No.57793112

>lonix daw

>> No.57793143

You can't be serious with this shit

>> No.57793162
File: 168 KB, 1647x962, 1439846056510.png [View same] [iqdb] [saucenao] [google] [report]

Actual real men use Pure Data.

>> No.57793189

lmms is cool.

I just like FL Studio better.

>> No.57793232
File: 273 KB, 1600x876, CsoundQt083.png [View same] [iqdb] [saucenao] [google] [report]

or Csound

>> No.57793233

Unfortunately, there's still no good linux DAW.

Part of the problem is that there are so many audio systems, that supporting all of them and all the possible configurations they could have is probably not worth it.

Note that OpenBSD does not have this problem: it has a perfectly good, low-latency STANDARD audio system (see sndio). Linducks take note.

>> No.57793245
File: 884 KB, 1920x1040, Cubase.png [View same] [iqdb] [saucenao] [google] [report]

Cubase master-race reporting in

>> No.57793271

Does Steinberg still require a usb dongle to run Cubase?

>> No.57793274
File: 115 KB, 685x628, p-values_crop.png [View same] [iqdb] [saucenao] [google] [report]

JACK is the standard for audio work on GNU.

As for the work environment, Csound is the most versatile

>> No.57793285

What professional actually uses csound?

>> No.57793286
File: 23 KB, 750x724, 1474278463756.jpg [View same] [iqdb] [saucenao] [google] [report]

another FLfag here.

I had so much great fun with it for now coming closer and closer to 2 fucking decades, it just feels like a good friend now.

tried so many other DAWs but in the end I always returned to FL.
others might be better in a lot of cases but that shit just went into my blood and I can't get it out of my head ever again.

but since I'm still having a great time with it, I guess that is all what counts.

>> No.57793304


Whats wrong with it?


puredata is best paired with a daw.


not really, you have pulse and jack which both use alsa and can be configured to work together..

>> No.57793325

It's probably a lot better now, but last I checked, installing jack was a huge pain on debian.

What does this have over some of those lisp-based live audio programs like this one https://github.com/overtone/overtone/ ?

>> No.57793326



does really anyone still use that?

I know it was a fucking standard years ago but most cubasers I know went to protools and/or abLELton live

>> No.57793329

It never did, you could always use software E-Licenser. You buy USB E-Licenser when you often switch computers so you don't have to reinstall this shit every time

>> No.57793372

>Whats wrong with it?
Literally everything?

>> No.57793385

Acoustics researchers
Aphex Twin
Xenharmonic and microtonal composers,
because all mainstream DAWs like Cubase are dogshit for working with xenharmonic material. All the controls are designed to use the 12-EDO tuning system only.
Bottom line, if you aspire to more than plebeian pop productions, Cubase and the like are nearly useless.

>> No.57793402

It's not the drivers, it's just the DAWs that are all trash
Linux can easily have better latency than anything on windows

>> No.57793418

Apiece twin uses any and all random toasters that makes noise, like most good breakbeat producers

>> No.57793421
File: 27 KB, 1280x720, 1479019202496.jpg [View same] [iqdb] [saucenao] [google] [report]


Not an argument, it's a pleasure to use.

>> No.57793450

You're wrong about 12-step, the options is just buried in the non-normie drop down menu. Also Renoise is perfect for that micromanagement and extreme sample editing and isn't garbage foss

>> No.57793474

What's the best babby-level DAW for making chiptunes for a programmer who's learning to music?

>> No.57793480

K cool. Keep me posted on that EP you'll never release

>> No.57793482
File: 57 KB, 640x427, image.jpg [View same] [iqdb] [saucenao] [google] [report]

Not an argument, it's not a pleasure to use.

>> No.57793496

Lsdj and a original-model gameboy

>> No.57793500

renoise is better than lmms

>> No.57793510

Alternatively, any non-Linux DAW in the world and some chip tune VST like magical8bitsynth or whatever the 30 different square wavers are

>> No.57793514

Decent, but all the professional DAW's are basically the same, just depends what interface you prefer. I find cubase really intuitive, unlike logic, which is aids.
>abLELton live
ableton is pretty good for live, but sucks for everything else

>> No.57793529

hell no

>> No.57793537

Same here. It's in my blood and it won't ever leave.

>> No.57793539

Looks pretty cool. Anything like it for 16-bit consoles or later Nintendo portables?

>> No.57793550

Ment for:

>> No.57793551
File: 267 KB, 356x450, 1461914805924.png [View same] [iqdb] [saucenao] [google] [report]



straight out the dungeons of FLOSS.

>> No.57793597

My nigga, Cubase 9 will be out soon.
t.no clue about music production

>> No.57793599
File: 166 KB, 539x717, 31edo_mos_families.jpg [View same] [iqdb] [saucenao] [google] [report]

>hell no
Unlike pop garbage or memerap,
xenharmonic composition requires a solid theoretical foundation.

>> No.57793605

Pro tools is not the same as other daws, it's almost entirely recording-based, heavily hardware-based (proprietary at that), and isn't practical for anybody doing any in-the-box production. It's only "pro" for recording
Also Ableton is fantastic and extremely capable, don't be fooled by session view, even though it's a highlight of Ableton you don't have to use it (I never do actually, also I never DJ, just produce)
And of course, if a DAW is ReWire compatible, you can mix one daws functionality and another daws GUI for perfection (I use Ableton/Renoise, or as I like to call it, Ableton + Renoise)

>> No.57793621

I think there's a NES tracker game, and plenty of people hand make MIDI breakout cartridges and sell them
I don't think there's anything for SNES and up, as they moved away from a couple basic chips to real wave table synthesis

>> No.57793622

I prefer GNU Albeton + Renoise

>> No.57793636

Mathrock failed for a reason

>> No.57793640

Yeah, most people are stupid.

>> No.57793648

Program your own lol
No seriously.

>> No.57793662

yeh but it sounds like shit lol

>> No.57793664

I'm okay with that, I'll make stupid dumb wimp womp and get pussy without having any social skills, and you can listen to your glorified metronomes and enjoy those

>> No.57793740


This. Or LMMS

>> No.57793744

Here is the c# code for the thing I am working on at the moment if you want a bit of a starter

>> No.57793760

forgot link:

>> No.57793767

Daw doesn't matter
Literally one 8-bit VST and monophonic limits and you have it. Rectangle waves, triangle waves, 8-bit wavetable and noise, that's it

>> No.57793772

Shots fired

>> No.57793882

>acquire social skills
>learn music theory

>> No.57793916

I have learned music theory, that in no way whatsoever means mathrock in any form is good. That's probably why it failed and why "nobody understands muh music"
Not like cheaply quantized JavaScript music uses theory properly anyways

>> No.57793933
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B-B-But it factors out to zero
B-B-But muh Tool

>> No.57793941

Even tool accepted that mathrock for the sake of mathrock isn't good

>> No.57793974

>mathrock for the sake of mathrock isn't good
That's probably true.

>> No.57794032

how is it fucking possible for someone to be this dumb
not only are you generalizing an entire genre, but you're saying that it is objectively bad. OBJECTIVITY IN MUSIC
you are a fucking golden retriever

>> No.57794058
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why are the FL Studio bros the only one's not argueing? It's like they are happy with what they have and know that they can achieve anything if they just try!

>> No.57794066

Are you saying its objectively good? Because it's a dozen quantized loops played over and over?
Because you don't know how to do it on a regular DAW?

>> No.57794090

>Are you saying its objectively good?
literally how did you get this out of what i said? your comprehension is abysmal
if you believe in objectivity in music you are a fucking moron

>> No.57794131

So why do you like mathrock then? Because "logic tells you to"?

>> No.57794168

because i am in individual and can enjoy whatever the fuck i want
i respect some of the technical ability required to play it
i respect the creativity that goes into a lot of it
i like the emotions

>> No.57794193
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All right, you got me

>> No.57794223

if you only listen to /mu/'s top 10 math rock whatever of course you're going to think it's all the same
jesus fucking christ, take some initiative and either find your own fucking music or stop shitting on something you have little to no actual understanding of
i'm actually embarrassed at the thought that people like you are living in this world

>> No.57794257
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>Fruity Loops
I mean, for starters its called fucking 'Fruity Loops'

>> No.57794328


>> No.57794339

Literally never said anything about liking or disliking mathrock, the comments were about objectivity.
Holy fuck, you're bad at reading.

>> No.57795270

anyone use bitwig specifically on linux? how is it? audio drivers for it? is your favorite vst ported to linux?

>> No.57796461

I would but I couldn't find a torrent for it.

>> No.57796533


>> No.57796582

>using a DAW
>literally the most retarded way to create music
Learn how music actually works and come back when you're not retarded.
Also, I bet that track sounds like shit.

>> No.57796589

What disappoints me is that most tutorials are either ableton or fl oriented. More specifically, i dont know of any decent artist making a video on bitwig

>> No.57796635

>Everyone argues about obscure Linux based programs
That's why FL Studio will always win. People make millions of dollars with what FL Studio can do. You guys argue about 'math rock,' buggy amateur programs and latency.

>> No.57796775

alright then, what? a music tracker or recording actual instruments?

>> No.57796802
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There isn't anything wrong with lmms, it's as good as fruity loops. It can use vst plugins which means it's as good as anything else out there.

After that it's just workflow preferences. Personally I don't like the fl workflow. People do and that's cool.

Reminder liam howlet (the prodigy) used a fucking w-30 to write the experience and jilted generation, arguably his two best albums. Albums that still rival edm made with fastly superior technology.

It's not the tools you use it's how you use them.

>> No.57796863
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Just read the manual.

Back in the day one day after taking some Ritalin I sat down and read the entire propellerheads reason 3.0 manual. Start to finish. At the end I knew how to make a song.

>> No.57796906

Trackers are just DAWs for edgelords.
Use independent synthesizer programs, learn to play an actual instrument, or learn to do audio output in a decent programming language.

>> No.57797061
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Trackers are just sequencers.

Usually it is in a vertical flow instead of horizontal.

>> No.57797090

Keeps getting better

>> No.57797146

made me jej


>> No.57797159

dan please

>> No.57797198

bitwig studio isn't good huh?

>> No.57797280

But I am, fagalam

>> No.57798652
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